PhotoVideoGear.com reviews the mirrorless cameras and lenses that photographers and video creators actually buy: Canon, Sony, Fujifilm, Nikon and Panasonic Lumix bodies, their native glass, and the Sigma, Tamron, Tokina, Viltrox, Samyang and other third-party lenses built for them.
The Sony A7CR does something that sounds unlikely. It puts the 61MP sensor from the A7R V, Sony’s high-resolution flagship, into a compact body weighing about 515 grams with battery and card. Sony announced it in August 2023 at $2,999 for the body, alongside …
Look at the cameras on a store’s cinema counter and the lenses look different from photo lenses. They’re bigger, with chunky geared rings, …
The Canon RF 135mm F1.8 L IS USM replaced one of Canon’s most loved lenses, the EF 135mm f/2L from 1996. Canon announced it in November 2022 …
The Nikon Z6III is the camera that made Nikon’s mid-range interesting again. The Z6 and Z6II were good, solid, a little dull. The Z6III …
The Tamron 35-150mm F2-2.8 Di III VXD started a category. When it arrived for Sony E-mount in late 2021 at $1,899, no other autofocus zoom …
D-Log M is DJI’s middle ground between flat log footage and the finished look of Normal mode. It records 10-bit color with more contrast and …
The Canon EOS R5 Mark II is the camera you buy when you don’t want to choose. Landscapes, weddings, birds, sports, 8K video. It handles all …
The cheapest way to get real background blur on a Canon APS-C body isn’t a Canon lens. It’s the TTArtisan 50mm f/1.2, a fully manual Chinese …
On an APS-C camera, 27mm gives about the same view as a 40mm lens on full frame. It’s a natural, everyday focal length, a little wider than …
Sony’s A7R line has always been about resolution. The Sony A7R V, launched in October 2022 at $3,899 for the body, kept the 61MP back-side …
