PhotoVideoGear.com reviews the mirrorless cameras and lenses that photographers and video creators actually buy: Canon, Sony, Fujifilm, Nikon and Panasonic Lumix bodies, their native glass, and the Sigma, Tamron, Tokina, Viltrox, Samyang and other third-party lenses built for them.
Most telephoto zooms start at 100mm or longer. The Tamron 50-400mm F4.5-6.3 Di III VC VXD starts at 50mm, a normal focal length. That 8x range covers portraits, events, sports and wildlife without a lens change. Tamron released it for Sony E-mount in July 2022 …
Ten years ago, smooth handheld video meant a gimbal, a big one. Today most mirrorless cameras have in-body stabilization, many add digital …
For years, the knock on Fujifilm was speed. Beautiful files, lovely lenses, autofocus and readout that trailed Sony and Canon. The Fujifilm …
The Canon RF 15-30mm F4.5-6.3 IS STM is the cheapest way to go really wide on Canon full frame. Canon announced it on July 12, 2022 at …
The Sony A7R VI is the first A7R that doesn’t ask you to choose between detail and speed. Sony announced it in May 2026 at $4,499 for the …
The Viltrox AF 135mm F1.8 LAB is the lens that made many photographers rethink Chinese glass. Launched for Sony E-mount in October 2024 at …
Sony has the widest choice of long telephoto zooms of any mirrorless system, and that’s the problem for anyone starting out in wildlife. …
Some cameras win on a headline spec. The Canon EOS R6 Mark II wins by not losing anywhere. It’s fast, it focuses brilliantly, it handles …
The Tamron 11-20mm F2.8 Di III-A RXD first arrived for Sony E in June 2021. A Fujifilm X version followed in May 2023, and in December 2024 …
Micro Four Thirds has one big advantage for wildlife and bird photographers: reach. The 2x crop factor turns a 100-400mm lens into the field …
