PhotoVideoGear.com reviews the mirrorless cameras and lenses that photographers and video creators actually buy: Canon, Sony, Fujifilm, Nikon and Panasonic Lumix bodies, their native glass, and the Sigma, Tamron, Tokina, Viltrox, Samyang and other third-party lenses built for them.
Every other camera in this review series reads its sensor line by line. Fast, but not instant. The Sony A9 III, announced in November 2023 at about $6,000, doesn’t. Its 24.6MP full-frame stacked sensor uses a global shutter, capturing every pixel at the same …
Camera gear holds up well. Bodies are built for hundreds of thousands of shutter cycles, and good lenses last decades. That makes the used …
The Fujifilm XF 70-300mm F4-5.6 R LM OIS WR is the telephoto most Fujifilm shooters can actually carry. Fujifilm announced it on January 27, …
The Canon EOS R10 sits between the beginner-friendly R50 and the enthusiast R7. Canon launched it in May 2022 at $979 for the body, and it’s …
Most drones have a fixed aperture, and that’s why your daylight drone footage looks jittery. A Mini or an Air shoots at f/1.8 or f/2.8 all …
A 24-70mm f/2.8 is the lens most working photographers reach for first. Weddings, events, news, travel. It’s the one you’d keep if you could …
Full frame used to start at the price of a used car. Now every major brand sells a modern full-frame body for around $1,500 to $2,000, with …
The Panasonic Lumix S9 is a full-frame camera that doesn’t look like one. It’s small, flat and colorful, with no viewfinder and a rear …
The Canon RF 100-300mm F2.8 L IS USM is a lens for people who used to carry a 300mm f/2.8 prime and a 70-200mm. It covers 100mm to 300mm at …
Sony’s A6000 series ran for almost a decade on the same small rangefinder-style body. Each update added a bit. None of them fixed the …
