PhotoVideoGear.com reviews the mirrorless cameras and lenses that photographers and video creators actually buy: Canon, Sony, Fujifilm, Nikon and Panasonic Lumix bodies, their native glass, and the Sigma, Tamron, Tokina, Viltrox, Samyang and other third-party lenses built for them.
When Nikon announced the Z9 in October 2021, a lot of people had written Nikon off in mirrorless. Sony led, Canon was catching up, and Nikon’s early Z bodies were good but not class-leading. The Nikon Z9, priced at $5,500, changed that story overnight. It’s …
A long lens gets you closer. It doesn’t get you good pictures on its own. Most disappointing wildlife photos from a new 600mm zoom share the …
The DJI Flip is a drone for filming yourself. It takes off from your palm, follows you, films and lands back in your hand, and its …
The Sony FE 16mm F1.8 G is a full-frame ultra-wide prime that weighs 304 grams. Sony announced it on February 26, 2025 at about $800, and it …
The Canon EOS R5 C is two cameras in one body. Flip a switch and it’s an R5, a 45MP stills camera. Flip it back and it’s a Cinema EOS camera …
Tamron’s first 70-180mm f/2.8 showed that a fast telephoto zoom didn’t have to weigh a kilogram and a half. The G2 version, launched in …
Nikon’s best-selling lens isn’t a fast prime or a pro f/2.8 zoom. It’s an f/4 standard zoom that most buyers first meet as a kit lens. In …
The Sony A7C II answers a simple question. What if you took the A7 IV, kept the sensor, upgraded the autofocus and squeezed it into a body …
Nikon’s first Z-mount 70-200mm f/2.8 came out in 2020 and was already one of the best lenses in the system. The second version, announced on …
The R6 Mark II’s one real weakness was resolution. Twenty-four megapixels is plenty for most jobs, but it left little room to crop. The …
