PhotoVideoGear.com reviews the mirrorless cameras and lenses that photographers and video creators actually buy: Canon, Sony, Fujifilm, Nikon and Panasonic Lumix bodies, their native glass, and the Sigma, Tamron, Tokina, Viltrox, Samyang and other third-party lenses built for them.
Exhibition halls look bright when you walk in. Then you look at your pictures. Faces have dark eye sockets from overhead spotlights, products glow orange on one side and blue on the other, and the stand behind them is a mess of mixed color. The light that …
Zooms usually stop at f/2.8. Fast primes go to f/1.8 or f/1.4. The Sigma 28-45mm F1.8 DG DN Art, announced in June 2024 at $1,349, refuses …
For years the Lumix pitch came with an asterisk. Great video, great color, great stabilization… and autofocus that pulsed and hunted. The …
Fujifilm’s GFX cameras have a sensor much larger than full frame, and a short mount that will take almost anything with an adapter. That …
Before this lens, getting to 800mm on Sony meant a prime costing as much as a car, or a teleconverter on the 200-600mm. The Sony FE …
When Nikon bought RED, the cinema camera company, in 2024, people wondered what would come of it. The Nikon ZR, announced in September 2025 …
The original XF 56mm f/1.2 from 2014 was one of the lenses that made people switch to Fuji. It had that creamy look portrait shooters …
